February 2013 Filed in: Films
Bugs Bunny: It's true, Doc. I'm a rabbit, alright. Would you like to shoot me now or wait 'til you get home?
Daffy Duck: Shoot him now!!!! Shoot him now!!!!
Bugs Bunny: You keep outta this! He doesn't have to shoot you now!
Daffy Duck: He does so have to shoot me now! (to Doc) I demand that you shoot me now!
I am partial to these switcheroo plots where nothing is as it seems: where fates are reversed; the good reveal themselves as bad or vice versa; the line between reality and fiction blurs and bends and the two swap places!
Martin McDonagh's metafilm is about the misadventures of a man writing a screenplay about seven psychopaths, of which some are fictional, some are inspired by real people, and some inadvertently turn out to be real, including that of his two dog-kidnapping friends. The trio then work together on finishing the screenplay, while also running from a mobster psychopath who is after their lives for stealing his dog; Subsequently, one friend becomes so invested in the film that in wanting to write a climactic shootout ending with all the psychopaths in it, he devises a real-life climatic ending involving the mobster psychopath coming for his dog, and things go to hell, as planned!
It's a matryoshka doll story: a screenplay about writing a screenplay, a spoof about a spoof, a story within a story, and in fact a story about a story that gets mixed up with reality and becomes a spinoff of a story yet to be written. In essence a total Charlie Foxtrot!
There has been a rise of these self-reflexive films in recent times, with filmmakers paying homage to a film genre, but in a less spoofy, more layered and provocative way: like Hugo, The Artist, Harishchandrachi Factory, Super 8, Argo, Tropic Thunder, Adaptation, Barton Fink, The Player and The Seven Psychopaths, of which the last four are centered around scriptwriters. It's like their way of getting back at us for not taking notice of them. They are smack dab in the middle of the story!