The painting above is Bill Watterson's tribute to Petey Otterloop from Richard Thompson's Cul de Sac. It is Watterson's first public art in more than 15 years, and was done for Thompson's Parkinson's fundraising project that over hundred cartoonists contributed to.
Watterson is a very selective endorser. He's also a media recluse. So when I read his foreword praising Thompson's Cul de Sac, I was eager to read it just to see what was so special about it that made him not want to contain himself.
"I thought the best newspaper comic strips were long gone, and I've never been happier to be wrong. Richard Thompson's Cul de Sac has it all--intelligence, gentle humor, a delightful way with words, and, most surprising of all, wonderful, wonderful drawings.
Cul de Sac's whimsical take on the world and playful sense of language somehow gets funnier the more times you read it. Four-year-old Alice and her Blisshaven Preschool classmates will ring true to any parent. Doing projects in a cloud of glue and glitter, the little kids manage to reinterpret an otherwise incomprehensible world via their meandering, nonstop chatter. But I think my favorite character is Alice's older brother, Petey. A haunted, controlling milquetoast, he's surely one of the most neurotic kids to appear in comics. These children and their struggles are presented affectionately, and one of the things I like best about Cul de Sac is its natural warmth. Cul de Sac avoids both mawkishness and cynicism and instead finds genuine charm in its loopy appreciation of small events. Very few strips can hit this subtle note."
Apart from the foreword, the only other time I saw him in the news was also when he made the Petey Otterloop portrait!
"I thought it might be funny to paint Petey “seriously,” as if this were the actual boy Richard hired as a model for his character. At first I intended to do the picture in a dark, Rembrandt-like way to accentuate the “high art” of painting vs the “low art” of comics — the joke being that the comic strip is intelligent and the painting is idiotic — but the picture went through quite a few permutations as it developed.
I found it interesting how the comical distortions in a cartoony drawing become freakish and grotesque when they’re depicted more three-dimensionally. (You sometimes see this in computer rendering and animation.)
Anyway, by the end, I wasn’t sure whether the painting came out funny or creepy, but I hope it’s intriguing somehow. The result surprised me, so I enjoyed it."
So it is undeniable that Watterson is obsessed with Richard Thompson, and it is making him less reclusive.
Both artists will be featured in The Ohio State University's Billy Ireland Cartoon Library & Museum’s new exhibition galleries from March 22 to July 6, 2014.
Mental Floss shared an except of a rare and exclusive interview with Bill Watterson on their website. The full interview will be published in the December issue of their magazine.
Also, next month, Dear Mr. Watterson, a documentary film about Bill Watterson will release in theaters, and video-on-demand. It is available for pre-order on their website.
While we are on the subject of binging on Bill Watterson, here are
His 2010 interview, (his first since 1989); and
His 1989 speech at The Ohio State University.
He offers a wealth of insight on everything from his work to comic art and comic business.